Tag Archives: Witcher III: The Wild Hunt

Favorite Games of 2016

2016 has come and gone and now it’s time to reminisce about what turned out to be a great year in gaming. Tyler Bro and I have compiled our three favorite games we played in the past year. Most of them didn’t actually release last year, but that only shows one of the great things about gaming. Multiplayer games especially tend to evolve over time and many are in better shape than we’ve ever seen.

The Bro’s Picks:

Elder Scrolls Online
elder scrolls online 2016

I’ve fallen in love with Elder Scrolls Online. There’s so much interesting content here and two months later, I’m just scratching the surface. I tend to get a little ADD when it comes to MMORPGs so the wealth of options is fantastic. There’s a ton of dungeons (with a myriad of difficulties), expansive PvP, crafting, and crazy amount of customization options.

Unlike many other MMORPGs, I don’t feel compelled to play in a particular way. I log on and get rewards for doing whatever it is I find enjoyable. This is not the MMORPG it was when it first launched. ESO took a while to get to the point it’s at now, but One Tamriel really sealed the deal for me. This is my MMORPG of choice for the foreseeable future.

Overwatch

overwatch 2016

Elder Scrolls Online lacks one important multiplayer feature: competitive PvP. This is where Overwatch comes into play. I don’t always want an intense skill based multiplayer game. When I do, Overwatch is just a few clicks away. For a long time, League of Legends was my competitive multiplayer game of choice. With less time to devote to mastery, Overwatch has served as more than a capable replacement.

The characters feel truly unique and most of them offer a different experience from a typical shooter. Using abilities at the right time can mean the difference between a victory and a loss. The pacing of the matches feels just right too. Overwatch is one of the few multiplayer games that really changes things up for a gamer who sometimes feels like they’ve seen it all.

The Witcher 3: Wild Hunt

witcher 3 2016

Of course, sometimes it’s important to just sit back and enjoy a fully immersive single player experience. In that regard, Witcher is hard to beat. I actually played this for the first time in 2015, but I enjoyed it so much I played through it again (with DLC) in 2016. There are some flaws, sure. The pacing is a little off in the main game, and combat isn’t super deep. I don’t think I’ve ever played a perfect game though so I’d qualify these as pretty minor complaints.

I love the characters, story, choices, and world. I can’t say at any point that I lost my sense of immersion in The Witcher 3. Actions and reactions flow in a natural manner, and there is a ton of choice & consequence. Making tough moral decisions is such a great part of the game. I hope to see something similar in that regard in 2017.

Tyler Bro’s picks:

Landmark

A player character in Landmark

Landmark was a pleasant surprise. We were all pretty disappointed by the cancellation of EverQuest Next, but if that was a case of life giving us lemons, Landmark is some pretty fine lemonade.

It’s a pretty simple game — really more of a toolkit than a game — but for what it is it does its job well. There’s almost no limit to what you can create in Landmark, and some of the creativity on display within it is truly awe-inspiring.

It might not be “main game” material, but it’s a nice place to pop into for some relaxation every now and again.

Star Wars: The Old Republic

An Imperial agent character and Lana Beniko in Star Wars: The Old Republic's Knights of the Eternal Throne expansion

If we’re to measure only by hours spent in-game, SW:TOR was my top game in 2016. Bar a few short breaks here and there, I played it heavily over the entire year. The major changes made by Knights of the Fallen Empire intrigued me, and I wound up getting sucked in for the long haul.

This is actually a bit surprising, even to me, because I’ve never really been a Star Wars fan, and there are some pretty big things about the game that I don’t like, from its business model to its combat.

However, I am a sucker for a good story, and that’s one thing Bioware tends to deliver pretty consistently. Between the class and expansion stories, I had no shortage of plot to keep me engaged, even as I largely ignored the multiplayer and endgame content.

StarCraft II

Nova's ship, the Griffin, in StarCraft II's Nova Covert Ops DLC

Although its last expansion technically launched in 2015, 2016 was still a fantastic year for StarCraft II. Its co-op mode has far exceeded everyone’s expectations, and I can’t even count how many matches I’ve played over the past year. With new maps and commanders coming regularly, it just keeps getting better.

Meanwhile, the Covert Ops DLC also provided a small but very quality dose of story content. I had my doubts about whether Covert Ops could measure up after the excellence of Legacy of the Void’s single-player experience, but it won me over with its intense story, innovative gameplay, and epic challenges. If Covert Ops is truly to be the last story update to StarCraft II, at least they left on a high note.

For all the stumbles made by Blizzard’s other properties in recent times, StarCraft seems to have the Midas touch these days.


MMORPG NPCs Need More Witcher and Less Skyrim

The Witcher III: Wild Hunt and The Elder Scrolls V: Skyrim are both hugely popular fantasy RPGs with massive, detailed game worlds, but there are some key differences between them. Notably, their non-player characters are very different beasts, with Skyrim’s NPCs being mostly shallow and uninteresting, mere wall-dressing for the player’s journey, whereas The Witcher gives depth and meaningful personality for its NPCs, whether they’re part of the main quest or a minor side quest.

The Witcher Ciri NPC

For example, in Witcher III we are introduced to the Bloody Baron. Warning! Character spoilers ahead (though I’m doing my best to keep out anything really important)…

When first meeting this Bloody Baron, he comes across a generic abusive father and husband. Both his wife and his child have gone missing, and it’s seems pretty obvious his drunken escapades have driven them away. Roughly the first quarter of the main quest is spent running errands for him to find his family members in exchange for information. As the quest unfolds, more details will be revealed about this seemingly abusive, power hungry man that might make you even pity him. The climax of his tale leaves the player in a much different state than when the quest first began. And yet, if you by the end of the quest you still think him a low piece of scum then no one could really fault you. But no matter your opinion of the Bloody Baron, his character will make you a range of emotions from revulsion to remorse.  And that’s just one of the NPCs in Witcher III. For those interested, there’s a more detailed analysis on Kotaku and a great (old) discussion on reddit about him.

By comparison, the two most notable NPCs in Skyrim are a one dimensional companion who likes to remind you how she is ‘sworn to carry your burden’ and a former adventurer whose knee is an arrow magnet.

So why are we talking about single-player RPGs on a site that mainly deals with MMOs? Because there are lessons here that are relevant to MMORPG NPCs.

Worlds without character:

MMOs are about players interacting, but that doesn’t mean the NPCs aren’t an important part of the equation. They are the other half of our virtual worlds, residents who never log off or break character. They are the heart and soul of MMO stories, and the gateway to most content.

The problem is that for such an important part of the MMO formula, very few MMORPG NPCs have any real effort put into them.

And this is where the Witcher/Skyrim example comes into play. Sprawling open world RPGs like that are the closest single-player cousins to MMORPGs, and they provide a good basis for comparison.

Right now, the NPCs in most MMOs are entirely too Skyrim and not enough Witcher.

As with so many things, the standard for MMORPG NPCs was set, at least in part, by World of Warcraft. It did much to popularize the concept of quest-based gameplay, and that design requires plenty of NPCs to provide these quests.

WoW Bridenbrad NPC

But WoW has always taken a “quantity over quality” philosophy. A game that can boast thousands of quests is going to sacrifice some depth in the questing experience, and that affects the NPCs, as well.

That’s not to say that WoW doesn’t have good quests or memorable NPCs — anyone who’s tried to save Crusader Bridenbrad or asked Calder Gray what he likes can attest to that — but these do tend to be the exception and not the rule.

And for the many games that sprang up to imitate WoW without Blizzard’s resources, memorable NPCs tend to be even rarer. We are saddled with vast virtual worlds bereft of character or personality. Even if a game designs a vast history and epic story, that story will feel empty and flat without compelling characters.

One could argue that gameplay is more important, but story can also play a crucial role. If a player comes to care about a world and its characters, they’re invested. It will keep them interested in a game even as other titles surpass it graphically and technologically.

So how can we make MMORPG NPCs better?

The diamonds in the rough:

Not all MMOs are wastelands of character. To get an idea of how things can be made better, we can look at some that have bucked the trend.

The Secret World puts more effort into its NPCs than almost any other MMO around. Relative to other MMOs, TSW has far fewer NPCs and is therefore free to put far more effort into them. Every character is lovingly imbued with colorful personality and a compelling backstory, as told through cutscenes at the start of missions as well as optional conversations.

TSW Ricky Pagan 1 NPC

Even seemingly simple characters have a surprising amount of depth. At first glance, Tokyo’s Ricky Pagan —  a rockabilly-obsessed eco activist — seems like pure comedy relief, but there is method to his madness. As you get to know him, it becomes clear that his cartoonish persona was something he retreated into to cope with the destruction of his city and the death of his friends.

Yet for all the strength of its characterizations, there are still some problems with how The Secret World handles its NPCs. For one thing, they are terribly static, rarely taking any role in the story beyond that of quest-givers. To some extent this is necessary — NPCs shouldn’t jeopardize the role of the player — but it does limit their role in the story and thus the story itself.

Also, as in most MMOs, once their quests have been given, they are left behind and all but forgotten. For all their depth, they’re still oddly temporary and ultimately somewhat irrelevant in the greater scheme of things. There’s no steady cast to form a long-term investment in.

And finally, players cannot truly interact with them. There is no conversation system, no choices to be made. We all love Nassir, but my interactions with Nassir will be exactly the same as yours, and nothing will ever change that.

One game where you can expect NPCs to stick around is Star Wars: The Old Republic. Each class has access to multiple unique companion NPCs who will stick with them over the long haul.

Inspired by the incredibly deep NPCs in Bioware’s single-player games, such as the Dragon Age and Mass Effect franchises, these companions have rich personalities and their own storylines in addition to providing assistance with combat and crafting. Players can even pursue romantic relationships with some of them.

These characters don’t have quite the same depth as their single-player cousins, and their storylines could use more fleshing out, but they’re an admirable effort. Keeping them around and allowing them to fight alongside the player makes it easy to form an emotional attachment to them.

However, companions have also been largely ignored in SW:TOR’s post-launch content. Some attention has finally been given to them in the Knights of the Fallen Empire expansion, including the addition of new class-agnostic companions, but it’s a bit piecemeal, and the long-term future of how companions will be handled is still a bit unclear.

SW:TOR has one more problem in that outside of companions and a few other major figures, the game’s NPCs are still largely an endless spree of forgettable, disposable characters that disappear almost as soon as they’re introduced.

NPC Darth Malgus in Star Wars: The Old Republic

One more MMO that’s worth looking at is the sci-fi shooter Defiance. It’s not really a game that comes up often as an example of great storytelling in an MMO, but it is noteworthy for having a very unique take on how MMORPG NPCs are handled.

Defiance has a very small cast of characters, even more so than The Secret World. Instead of them having a small, specific role in the story and then disappearing, they’re more like the cast of a television show: a small, steady group of characters that sticks around through most of the game.

Defiance’s NPCs don’t have quite the depth of TSW’s or SW:TOR’s, but they’re colorful and full of personality, and because they tend to stick around, it’s very easy to get invested in them.

So what have we learned?

The lessons:

From The Secret World and Defiance, we learn that MMOs need smaller casts. With hundreds, or even dozens, of NPCs, there is simply not enough time or resources to give them any significant development. A smaller cast allows far more effort to be put into each individual character, making them memorable and distinct.

From Star Wars: The Old Republic and Defiance again, we learn that MMORPG NPCs need a certain degree of permanence. Coming to care about a character is much less valuable if you simply leave them behind, never to be seen again, when their quests are finished. Investment is the goal, and that requires consistency.

SW:TOR also shows us the value in giving NPCs a practical use beyond beyond serving as quest-dispensers. Maybe not every game needs to offer permanent combat companions, but anything MMOs can do to make NPCs more than talking heads in towns or dead weight to be dragged through escort missions is valuable. The player can still take the starring role, but NPCs need to be able to take meaningful action, as well.

Finally, a certain degree of interactivity is valuable. NPCs become a lot more engaging when the player has the ability to control, at least to some extent, their interactions with NPCs.

NPC Kaliyo Djannis in Star Wars: The Old Republic

One could even imagine a game where this is a major choice and a crucial element of character customization. Which NPCs you have befriended and which never want to see you again could help shape what content you have access to or otherwise change your character’s journey.

Not every game needs that level of depth, but even having a choice of responses to NPCs, with no major consequences, would be an improvement over the standard paradigm.

It seems like the best route would be to treat MMORPG NPCs more like the cast of a TV series. A small cast of recurring characters that grow and evolve over time, with only occasional guest appearances by other characters.

In this model, the player would be the star of the cast, so to speak, but the NPCs would have a meaningful role, as well. Players could form strong bonds not just with each other, but with the game’s fictional inhabitants, as well, making for a more enjoyable game and greater long-term player investment. Just like in Witcher III…not so much like Skyrim.